![]() You’ll need to turn it into a script format eventually, and it also plays nice with production software. It’s also a good idea to write your treatment in screenwriting software. Stick to the meat of the story and the main characters. You should aim for something that outlines your basic three-act screenplay structure but without the screenplay format. Your treatment doesn’t need to include the whole story, so it’s a good idea to cut out non-critical subplots. It needs to include the key plot points and give a flavour of the tone you’re shooting for, but it shouldn’t be overly stylised – like a novel, for example. In terms of formatting, you should write your treatment in the same way that you would write a present-tense short story. What should you include in a film treatment? His treatment for Terminator is definitely worth a read… if you’ve got some time to spare. James Cameron, for example, is known for writing whopping 70-page film treatments. level of detail) in mind.īut, like we said, there are no hard and fast rules. Sometimes readers have a certain page count (i.e. If you’re writing your treatment for someone specific – like a reader at a production company – then screenwriter John August suggests asking them exactly what they’re looking for. If you’re writing without a specific audience in mind, then a ten-page document is a sensible length for a film or series treatment. In essence, your treatment needs to be short enough to be snappy and engaging, but long enough to cover all the plot points and sell the story. While there are strict rules for how long a spec script should be, film treatments can vary quite a lot. It’s a way to explore your story’s world before you open up your screenwriting software and start grinding away at your script.Īs Terry Rossio says, “There is no way to write an effective treatment… yet there are effective techniques that should be used to write them.” Once you’ve cracked the art of writing treatments, you’ll have something you can use in a bunch of different scenarios. They’re a vital part of the development process, helping you to stress-test your story idea before writing a draft screenplay.Īnother benefit of writing a script treatment is that it helps you to pin down the tone of your movie or TV show. In filmmaking, lots of screenwriters find treatments to be a useful marketing tool when they’re trying to sell their work to Hollywood bigwigs. Why do you need a film treatment in script writing? ![]() And with some hard work, it’ll do exactly that. Your screenplay treatment needs to sell your story. Each activity focuses on a skill needed to become a superstar reader. Anyone who picks it up – agents, executives, your pals – should understand (and love!) the story immediately. of original illustrations drawing from all six Star Wars movies and the expanded. And it’s written in prose, not as a script.Įssentially, it’s your whole story but broken down into one simple document – a roadmap for a reader, producer, or writer. It contains all the key elements of your film, like important scenes, main characters, and crucial plot points. A film treatment (or film script treatment) is a multi-page, detailed synopsis of your film or visual project.
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